Monday, June 4, 2012
Nam June Paik early robot
http://cyberneticzoo.com
Here's a link to a cool website with lots of early robotics stuff and artists like Joseph Beuys and Nam June Paik, the latter of whom I knew for his tv sculptures but not this awesome robot.
Thursday, January 12, 2012
exoskeleton
This technology developed to aid paraplegics' mobility, has been anticipated by Stelarc's much earlier experiments of the same name. In the case of the artist he was promoting hybridity for the sake of hybridity, and the application featured here is restoration of upright mobility.
Monday, May 4, 2009
studio 360 and NY gallery exhibit on plastic surgery
Well, Orlan does get mention here, but only a nod. The conceit of this exhibit is the plastic surgeon offering up his trade and products as fine art, with the hubris to claim Da Vinci, were he working today, would have been compelled to be doing nose jobs instead of the painting and sculptures he did. Poppycock. Anyway, it does seem to shift plastic surgery again into the realm of fine arts.
Thursday, December 11, 2008
Not quite Stepford. . .
Updated this post in March 2015 because CNN took down it's video, but here's Aiko today: "Get your dirty hands off my face" she says. It's terrific cyborg disgust for the meat body. Previously CNN had Aiko in the news because her manufacturer, a lone developer, was low on funds and going public in his request for more money to take his robot to the next level.
Friday, March 14, 2008
A Verhoeven Robot: ED-209 (Enforcement Droid-209)
Here's this bit of robot nightmare from the 1984 film, Robocop.
Wednesday, December 5, 2007
Wednesday, November 28, 2007
Exoskeleton--from performance art to commerce
In 1999 Australian performance artist Stelarc demonstrated modified bodily agency through his invention of the Exoskeleton, a mechanical hydraulic and electronic extension of his body, which changed the nature of his mobility and in various experiments, expanded the ability of his individual digits on his hands to grasp finer and smaller things through mini digits on the tips of each.
I'm not sure how long this video will be available, but CNN has a video report on a Utah company, Sarcos, which is manufacturing exoskeletons for military use, and the report is chock full of unqualified fascination and celebration for the developments. In the absence of Stelarc's uncanny emphases on the distortion of the human element in such hybrids, this report on Sarcos seems like a commercial for ED-209, the fictional robotic law enforcement robot that went awry with murderous malfunction in the film Robocop. Anyway, check out this link to the hyped-up next generation military technology for robotic hybrids for military use. No mention of cost, or the effect on the human operator over time, but something tells me a day spent in the exoskeleton leaves the operator somehow changed.
Here's Stelarc demonstrating his Exoskeleton in 1999. Keep in mind that he typically drives the legs and other attachments with voluntary muscles from unrelated places in his body. For example, his third hand, which he performs with often, is driven by abdominal and leg muscles, not by his arm or hand muscles.
I'm not sure how long this video will be available, but CNN has a video report on a Utah company, Sarcos, which is manufacturing exoskeletons for military use, and the report is chock full of unqualified fascination and celebration for the developments. In the absence of Stelarc's uncanny emphases on the distortion of the human element in such hybrids, this report on Sarcos seems like a commercial for ED-209, the fictional robotic law enforcement robot that went awry with murderous malfunction in the film Robocop. Anyway, check out this link to the hyped-up next generation military technology for robotic hybrids for military use. No mention of cost, or the effect on the human operator over time, but something tells me a day spent in the exoskeleton leaves the operator somehow changed.
Here's Stelarc demonstrating his Exoskeleton in 1999. Keep in mind that he typically drives the legs and other attachments with voluntary muscles from unrelated places in his body. For example, his third hand, which he performs with often, is driven by abdominal and leg muscles, not by his arm or hand muscles.
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